Austrian Painter Maria Lassnig's first US Solo

Maria Lassnig has exhibited a fiercely idiosyncratic independence and has persevered in her autonomy consistently eschewing fashionable trends, while remaining oblivious to her standing in the art world, asserts Platow. Instead of responding to popular contemporary movements, Lassnig has developed her own stylistic and thematic approaches, giving her work a timeless quality and a cohesive aesthetic. Lassnigs gripping body-awareness paintings visually project the bodily sensations the artist is feeling. Lassnig wrote about her work in Artforum: "Figuration comes about almost automatically, because in my art, I start first and foremost with myself. I do not aim for the big emotions when I'm working, but concentrate on small feelings: sensations in the skin or in the nerves, all of which one feels." The results are striking, biologically deformed but familiar images that show heightened color and limbs and facial features out of place or shape, reflective of the body's inner sensitivities. Her most distinctive paintings are the body-awareness paintings, self-portraits that represent her internalized senses by depicting her figure in distorted, alternate-reality poses. She calls a separate group of works her "drastic paintings, describing their pure realism, a little embellished and uglified. A series of paintings of couples exemplifies her attraction to beautiful subjects and challenging textures, as the artist paints her models in loving embraces and playful poses, or enveloped in luminous plastic sheeting, focusing on the qualities of light and shadow that bind the figures.

Original Article